Oscar-winning actress Nicole Kidman has been married to Keith Urban for 18 years. The couple supports each other in all aspects, and the musician claims to understand the challenges of Kidman’s profession.
Recently, Nicole starred in the provocative film “Bad Girl,” also known as “Baby.” In this film, she plays a successful married businesswoman who engages in a passionate affair with a young intern. Antonio Banderas plays her husband, while Harris Dickinson portrays her lover. The on-screen couple shares several intimate scenes.
Many viewers are curious about how Keith feels about Nicole’s erotic performances. Urban revealed that he tries to mentally separate the roles she plays from his wife. He perceives what happens on screen as a complete story, viewing her as a character rather than as Nicole Kidman. “When Keith watches her work, he sees art. She’s portraying characters, not just being Nicole,” a source explained.
The 56-year-old artist does not feel uncomfortable seeing his wife portray a woman in love with another character. “Keith doesn’t flinch during the intimate scenes; he understands that it’s just part of the story. He chooses not to see her as his wife in those moments, supports her, and enjoys her meticulously crafted performances,” noted the insider.
Urban never asks about the details of the script. He is primarily concerned with Nicole’s schedule so that he knows when they can spend time together with their daughters, 16-year-old Sunday Rose and 14-year-old Faith Margaret.
Nicole and Keith do not allow their daughters to watch certain ambiguous films featuring their mother. It is important for them that their children feel comfortable and secure at home. Urban and Kidman want to protect their daughters from the more tumultuous aspects of the entertainment industry.
“Nobody is ashamed of Nicole, but she doesn’t want her kids to see everything she does; to them, she’s just mom. Just like they don’t attend every concert their father puts on. Kidman feels relieved knowing they aren’t exposed to some of her more explicit work.”
