The story of Earl Holliman’s travels to Hollywood is one of desire and diligence. In 1943, Holliman was 14 years old and resolved to be a motion picture star.
Raised in Oil City and Mooringsport, instead of Shreveport, as is regularly expressed, he traveled through a few areas some time ago, recently arriving in Hollywood.
To begin with, he went to see relatives in Camden, Arkansas, and from there, he bused himself to Texarkana. He took a rideshare to Hollywood from there.
Holliman had worked the night shift at a burger joint near Barksdale Discuss Constraint Base and as a theater usher, so he had spared a few dollars. A serviceman he met at the cafe indeed gave him a lead on a place to remain, which turned out to be in El Monte, California, a great distance from Hollywood.
Looking back on his trip, Holliman recognizes that it was an unsafe choice that wouldn’t be judicious within the advanced day.
After his introductory attempt in Hollywood fizzled, Holliman made a quick trip back domestically some time ago, recently choosing to serve within the Naval Force. But his desire to be a motion picture star never went away. Afterward, he went back to Los Angeles to continue his instruction at the College of California, Los Angeles, and the Pasadena Playhouse.
Holliman’s diligence was compensated. With parts in “Giant” (1956), “Forbidden Planet,” “The Rainmaker,” and “The Children of Katie Elder,” he amassed an astonishing reel of cinematic credits. Also, he picked up acknowledgment for his TV appearances, most eminently in “Police Woman” with Angie Dickinson and in “The Thistle Birds” with Richard Chamberlain and Rachel Ward.
Holliman recollects his Hollywood days affectionately, particularly his to begin with morning there. Wearing dull glasses and a silk shirt with brief sleeves, he strutted before Grauman’s Chinese Theater, pondering on the off chance that anybody thought he was a celebrity. The gullible trust of youth was displayed in that minute.
