Looking at this individual within the picture, it’s clear that he brings out a run of solid feelings. A few might discover a fiendish grin shaping on their faces; others might feel sensitivity or feel sorry for; a few may burst into chuckling; and some might indeed feel a touch of fear. Each of us encounters a few strong responses. It’s difficult to stay detached or walk by. That’s why I chose to type in approximately this really interesting person.
Named the “Last of the Aztecs,” “Ape Man,” and “Bearded Girl,” this man was displayed within the circus with different outstanding titles to charm the audience’s curiosity. Individuals pined for energy and amusement, provoking the urge to make modern, captivating legends each time. In any case, behind these affected stories was the genuine star of the circus, a man individuals paid great cash to see. Underneath the circus veneer was a kind and earnest person with a challenging life story. So, who was this man? Let’s unveil his story.
To begin with, the individual in the photographs may be a man. The braid with a bow and the women’s clothing he regularly wore amid exhibitions were portions of his circus persona. The genuine history of this man is cloaked in riddles. Subtle elements around his guardians, his birth title, and the correct birth date are obscure. One account proposes that his title was Simon Metz, born in September 1901.
It’s likely his guardians abandoned him due to his abnormal appearance, driving him to the circus, where he found acknowledgment. For the group of onlookers, he was an interest, but for the circus troupe, he was family. Simon had an uncommon condition called microcephaly, which caused his unmistakable appearance and the formative level of a three-year-old to require consistent care. His surrogate father, creature coach George Curtis, received him and cared for him as his child.
Within the circus, Simon was given the title Schlitzi. This title was likely chosen with intention, as he was frequently displayed as a young lady. Taking on the surname of his unused father, he got to be Schlitzi Curtis. Schlitzi stood at a fair 48 inches tall and had unbalanced body parts due to his condition. He became a circus star in the 1920s and picked up advance acclaim with his part in the 1932 film “Freaks,” where he played himself. The film was striking and, at times, cruel, causing critical contention and driving its boycott for a long time.
In 1965, George Curtis passed away, leaving Schlitzi without a gatekeeper. Battling to discover his place in society, he ended up in a mental institution, where he got pulled back. Luckily, he met Charge Unks, a sword swallower from the circus, within the clinic. They shaped a fellowship, and Charge, in the long run, took Schlitz out of the institution beneath his care, bringing him back to the circus.
Schlitzi Curtis continued performing within the circus until 1968. The circus was not only his working environment but also his home, where he found honest-to-goodness fellowships. Schlitzi passed away in 1971, having cleared out an enduring passion for everybody around him.
